“In Turns” is a group exhibition and on-site publication project organized by Marie Beckmann, Bryony Dawson and Inga Charlotte Thiele. It focuses on text production and the activity of reading and considers writing and reading as dialogical practices, shaped through exchanges between authors, readers, and texts.

A point of reference in the development of the exhibition has been Maurice Blanchot’s “The Infinite Conversation” (1969), particularly its attention to discontinuity, silence, and the irreducible distance between interlocutors. More or less thematized in the works presented, this framework informs the exhibition’s interest in conversation as a structure that acknowledges multiplicity, difference and irreducibility.